Georgina Hughes
Artists Statement

I have always been drawn to detail, paid close attention to the exquisite beauty in minutiae, and been aware of the arresting presence and personal significance contained within objects.

Taking inspiration from the richness and symbolism of Dutch still life painting, Victoriana, and the archaeological Read More...

Georgina Hughes
Artists Statement

I have always been drawn to detail, paid close attention to the exquisite beauty in minutiae, and been aware of the arresting presence and personal significance contained within objects.

Taking inspiration from the richness and symbolism of Dutch still life painting, Victoriana, and the archaeological supremacy of ceramics, my Photographic and Porcelain works are aimed at engaging the viewer within their own world of personal recollection and revelry.

Culture and history are predicated on collections. There is an abiding fascination with collections which draws us in towards an understanding ourselves, and acts as a point of connection between individuals. Foraging for significant ‘characters’ amongst the old and the new is always the start of my artistic practice.

The choosing of objects, the almost obsessive arrangement, and decision to display as photographic evidence or ceramic artifact, naturally reflect my own experiences and preferences, but are edited to move from the personal specific to a universal meaning.

Each item is framed within a compartment and holds a snapshot of one complete moment in time, combining with the others to depict memories and life experiences, in one elusive yet intimate portrait. The selected objects are carefully arranged, with meticulous consideration to orderly composition and colour palette.

The special quality of the photographs is the result of an innovative use of technology but does not involve any computer manipulation once the shot is taken. The ceramic process is equally serendipitous, as each fragile offering allows the high temperature firing to seal its moment of becoming.

There is an obvious synergy and crossing-over between both areas of practice, not only in concept but also evident in the found and orchestrated ceramic objects included in the photographs. Although each work exists in its own right, shown together, the heightened detail and colour of the two-dimensional medium, seemingly more alive than the tangible ceramic apparitions, gives a touch of irony and an element of temporal confusion.

Staging the ceramic pieces within the same framework as the photographs establishes their position as postmodern artifacts.

Curriculum Vitae
Gina Hughes
Cleggars Castle
Templeton Tel: 01834 860530
Narberth Mobile: 07813572223
Pembrokeshire

Education

BA Honours Art & Design, Photography, West Wales School of the Arts, July 2009
Sculpture Cymru, Iron-pour, August 2006
Higher College Diploma Ceramics, Distinction, Dyfed College of Art, July 1985

Exhibitions

Waterfront Gallery, Milford Haven, The Sea Exhibition, June 2010
National Botanical Gardens of Wales, Solo Exhibition, May 2010
Waterfront Gallery, Milford Haven, The Sea Exhibition, June 2010
Art and Business Cardiff April 2010
Pembrokeshire Open Exhibition, Torch Theatre Milford Haven, 2010
Waterfront Gallery, Milford Haven, 2010 Spring Show
The Guild Hall Gallery, Bristol, January – February 2010
Waterfront Gallery, Milford Haven, 2009
National Botanical Gardens of Wales, Showcase, December 2009
Art and Utility Exhibition, Henry Thomas Gallery, West Wales School of the Arts, October 2009
New Designers, London, July 2009
King Street Gallery, Carmarthen, July 2009
BA Show, West Wales School of the Arts, 2009

Forthcoming Exhibitions

National Botanical Gardens of Wales, Solo Exhibition, May 2010
Waterfront Gallery, Milford Haven, The Sea Exhibition, June 2010
New Designers one year on, London, June 2010
Waterfront Gallery, Milford Haven, Group Exhibition, September 2010

Publication

Western Telegraph June 2010
Carmarthen Journal June 2010
Craft Magazine May 2010
Pembrokeshire Life Magazine 2009