Ricardo Aguilar Téllez Girón
Fashion design
Universidad Anáhuac México Norte
Specialisms: Genderless / Menswear / Costume Design - Stage Screen Dance
Location: Mexico City, Mexico
Ricardo Aguilar Téllez Girón
First Name: Ricardo
Last Name: Aguilar Téllez Girón
Specialisms: Genderless / Menswear / Costume Design - Stage Screen Dance
Sectors:
My Location: Mexico City, Mexico
University / College: Universidad Anáhuac México Norte
Course / Program Title: Fashion design
About
I am a fashion designer driven by creativity, innovation, and a strong commitment to sustainability. My work focuses on developing garments that not only explore aesthetics but also respond to the real needs of consumers. I enjoy exploring the silhouette of garments and their interaction with the body, seeking to create designs that adapt, transform, and evolve with the wearer.
One of my main focuses is modularity, conceiving garments as timeless and customizable products that empower users to create new possibilities of styling and self-expression. For me, challenges are opportunities to grow, and I embrace them with resilience, optimism, and a proactive mindset that fuels fresh ideas and dynamic energy throughout the design process. Above all, I see fashion as a medium for dialogue: a space where design, sustainability, and human experience intersect to create meaningful solutions.
Guggenheim: Detenidos en el tiempo is a collection rooted in the principles of deconstructivism—a movement that defies symmetry, embraces fluidity, and celebrates fragmentation. Drawing inspiration from the Guggenheim Museum in Bilbao, whose silhouette broke with urban conventions and sparked the so-called “Guggenheim effect,” this textile proposal seeks to create an equally powerful visual impact on the runway. Each garment is conceived as a sculpture in motion. Through 3D-printed textile applications, the collection reimagines tailoring through an experimental lens. Fragmented structures, irregular shapes, and a sense of antigravity evoke an aesthetic that finds beauty in imbalance and expression in disruption. More than a collection, it is an exercise in creative convergence. Fashion, architecture, and technology engage in a shared dialogue, articulated through 3D printing on fabric. The result: custom volumes with sculptural presence that transcend the boundaries of traditional garment-making, opening new paths for imagining the body, space, and the act of dressing.
Competitions
