Arts Thread

kat Smith
Textiles Design Innovation MA

Nottingham Trent University

Specialisms: Textiles - Print / Textiles for Fashion / Textiles for Interiors

Location: London, United Kingdom

kat-smith ArtsThread Profile
Nottingham Trent University

kat Smith

kat Smith ArtsThread Profile

First Name: kat

Last Name: Smith

Specialisms: Textiles - Print / Textiles for Fashion / Textiles for Interiors

Sectors:

My Location: London, United Kingdom

University / College: Nottingham Trent University

Course / Program Title: Textiles Design Innovation MA

About

I am currently studying an MA in Textile Design at Nottingham Trent University, having previously graduated with a First Class BA (Hons) in Fashion Textiles and Design from Middlesex University. My practice drifts between reality and imagination, using textiles to explore hidden inner worlds shaped by mental health, memory and daydreams. Drawing from personal experience, particularly anxiety and maladaptive daydreaming, my work gives form to internal narratives that often go unseen. Through layered materials, delicate processes and symbolic detail, I translate emotion into something tangible, turning quiet thoughts into textile-led stories.

“Lost in a Daydream” is a textile and surface design project that translates the psychological experience of maladaptive daydreaming into a material, visual language. The work begins with photography as a grounding technique, using the act of observing and documenting wildlife to interrupt and stabilise drifting thought patterns. Birds and animals become anchors to the present moment, with long tailed tits, foxes, kingfishers and deer forming the core visual motifs. Their presence introduces a quiet narrative thread, echoing the fleeting, immersive qualities of daydream states. These photographs are then reinterpreted through natural ink illustration. Using pH sensitive dyes derived from blue butterfly pea and red cabbage, the palette expands through controlled shifts in acidity and alkalinity. This chemical responsiveness produces a dynamic spectrum of purples, pinks, greens and reds, allowing the colour to behave unpredictably while still remaining materially grounded. Painting with a pipette gives the ink full agency on the page; bleeding, merging and drifting in ways that mirror the fluidity of internal imaginative space. Each illustration is scanned and digitally manipulated to create repeat patterns and placement prints for both interior and fashion applications. The digital stage preserves the organic textures of the natural inks while introducing structure, rhythm and compositional clarity. Through this combination of photography, material experimentation and digital refinement, the project constructs a visual environment that sits between reality and imagination. “Lost in a Daydream” ultimately explores how a liminal psychological state can be translated into tactile, expressive design outcomes. By grounding an intangible experience in natural materials, responsive colour and narrative wildlife motifs, the project proposes a gentle, immersive aesthetic that reflects the shifting boundaries between daydream and waking world.

BA Collection This collection explores the concept of maladaptive daydreaming—a psychological phenomenon where individuals engage in excessive daydreaming as a means of escaping stress, boredom, or difficult situations. For many, this form of escapism becomes uncontrollable, often leading to the neglect of real-world responsibilities. It is frequently likened to addiction, offering temporary relief from the pain and challenges of everyday life. Central to this experience is the idea of a "safe zone": a mental space where nothing can cause harm or emotional distress. Within this space, daydreams take on a protective, almost therapeutic quality, transforming abstract thoughts into something tangible. Through the medium of art, these internal experiences are externalised, translating complex emotional states into visual forms that reveal both fantasy and raw reality. The juxtaposition of grunge aesthetics with predominantly white fabrics emphasises this contrast. Grunge elements symbolise the darker, more chaotic sides of daydreaming and emotional pain, while the white fabrics evoke purity and mental clarity, suggesting the possibility of release and renewal. Ultimately, the collection seeks to capture the tension between reality and fantasy, offering a visual narrative that resonates with those who experience daydreaming as both sanctuary and struggle.